{"id":1074,"date":"2024-01-02T20:48:29","date_gmt":"2024-01-02T20:48:29","guid":{"rendered":"https:\/\/ventil.rs\/blog\/entertainment\/review-freuds-last-session-our-time-is-almost-up\/"},"modified":"2024-01-02T20:48:29","modified_gmt":"2024-01-02T20:48:29","slug":"review-freuds-last-session-our-time-is-almost-up","status":"publish","type":"post","link":"https:\/\/ventil.rs\/blog\/entertainment\/review-freuds-last-session-our-time-is-almost-up\/","title":{"rendered":"Review | \u2018Freud\u2019s Last Session\u2019: Our time is almost up"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<div class=\"wpds-c-jUMcim wpds-c-jUMcim-iPJLV-css hide-for-print mb-sm\">\n<div class=\"PJLV PJLV-ieDMgMI-css flex items-center\" config=\"[object Object]\" data-qa=\"article-actions\">\n<div class=\"wpds-c-mfMEg\">\n<div class=\"wpds-c-kSOqLF wpds-c-hnjNCH wpds-c-kSOqLF-bywHgD-variant-primary wpds-c-kSOqLF-biynoz-density-compact wpds-c-kSOqLF-hZSyid-isOutline-true wpds-c-kSOqLF-ejCoEP-icon-left 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fill-rule=\"nonzero\"\/><\/svg><span class=\"font-xs font--article-body bold ml-xxs\">(<!-- -->2 stars<!-- -->)<\/span><\/div>\n<\/div>\n<div class=\"wpds-c-PJLV article-body\" data-qa=\"article-body\">\n<p data-testid=\"drop-cap-letter\" data-el=\"text\" class=\"wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overrideStyles font-copy\" dir=\"null\">The title character we meet at the beginning of \u201cFreud\u2019s Last Session\u201d \u2014 a talky, speculative drama that imagines a meeting between avowed atheist Sigmund Freud, who invented psychoanalysis, and the Christian apologist writer C.S. Lewis, author of \u201cThe Chronicles of Narnia\u201d \u2014 is on his last legs. He is 83 years old, forgetful and in constant pain from the oral cancer he was diagnosed with 16 years earlier.<\/p>\n<\/div>\n<\/div>\n<div class=\"wpds-c-PJLV article-body\" data-qa=\"article-body\">\n<p data-testid=\"drop-cap-letter\" data-el=\"text\" class=\"wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overrideStyles font-copy\" dir=\"null\">It\u2019s a pain that Sigmund (Anthony Hopkins) medicates with morphine, the drug he would use to end his life a mere three weeks after the action of this film, which opens with the doctor waking, in London, from a dream of the Nazi-occupied Austria he fled a year and a half earlier. England has just entered World War II. Air raid sirens will soon punctuate the backdrop.<\/p>\n<\/div>\n<div class=\"wpds-c-PJLV article-body\" data-qa=\"article-body\">\n<p data-testid=\"drop-cap-letter\" data-el=\"text\" class=\"wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overrideStyles font-copy\" dir=\"null\">So it\u2019s a little odd when Matthew Goode\u2019s Lewis, who goes by Jack, shows up in this un-relaxing setting, by invitation, for a light chat over whiskey about faith and doubt and good and evil \u2014 and with sexuality thrown in for giggles. Hopkins\u2019s Sigmund, still frisky, apparently finds a balm of sorts in such intellectual debate, which he admits to having been spurred to after reading Lewis\u2019s \u201cThe Pilgrim\u2019s Regress.\u201d The 1933 allegorical novel includes a character called Sigismund Enlightenment, a \u201cvain and ignorant old man\u201d said to have been based on Freud.<\/p>\n<\/div>\n<div class=\"wpds-c-PJLV article-body\" data-qa=\"article-body\">\n<p data-testid=\"drop-cap-letter\" data-el=\"text\" class=\"wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overrideStyles font-copy\" dir=\"null\">Viewers of \u201cSession\u201d may find it harder to take solace from (or to find entertainment in) this stagy jar of slightly pickled discord, directed by Matt Brown, based on the 2011 play by Mark St. Germain (itself inspired by Armand Nicholi\u2019s 2002 book \u201cThe Question of God\u201d).<\/p>\n<\/div>\n<div class=\"wpds-c-PJLV article-body\" data-qa=\"article-body\">\n<p data-testid=\"drop-cap-letter\" data-el=\"text\" class=\"wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overrideStyles font-copy\" dir=\"null\">To be sure, Hopkins delivers a lively performance, with Goode suffering from the limitations of Brown and St. Germain\u2019s script, under which Jack is little more than a mouse being toyed with by Sigmund\u2019s catlike arguments and intellect. The film\u2019s roots as a stage-bound two-hander are hard for Brown to transplant to the screen, despite numerous flashbacks to Sigmund\u2019s childhood, where his Catholic nanny runs afoul of the boy\u2019s Jewish father, and to Jack\u2019s World War I service, during which he promises a doomed comrade to look after the dying soldier\u2019s mother, should any dire fate befall him.<\/p>\n<\/div>\n<div class=\"wpds-c-PJLV article-body\" data-qa=\"article-body\">\n<p data-testid=\"drop-cap-letter\" data-el=\"text\" class=\"wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overrideStyles font-copy\" dir=\"null\">Another side plot \u2014 more distracting than diverting \u2014 involves Anna Freud (Liv Lisa Fries), Sigmund\u2019s psychoanalyst daughter, who is shown rushing around London trying to refill her father\u2019s morphine prescription even as she summons the courage to confess her love for Dorothy Burlingham (Jodi Balfour), a fellow psychoanalyst, to her father. It\u2019s a lot in a small movie that strains at the seams to contain all this in a single day.<\/p>\n<\/div>\n<div class=\"wpds-c-PJLV article-body\" data-qa=\"article-body\">\n<p data-testid=\"drop-cap-letter\" data-el=\"text\" class=\"wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overrideStyles font-copy\" dir=\"null\">There are some heady pleasures. After Jack arrives, and is warned off sitting in what Sigmund calls the \u201ctransformation couch,\u201d a place of honor for so many of his patients, the famous shrink proceeds to open up Jack\u2019s head and look inside. (Sigmund makes a veiled reference or two to the bachelor Jack\u2019s somewhat ambiguous sexuality, and whether he lives with a woman \u2014 or man. Not that there\u2019s anything wrong with that, Sigmund adds, in effect.)<\/p>\n<\/div>\n<div class=\"wpds-c-PJLV article-body\" data-qa=\"article-body\">\n<p data-testid=\"drop-cap-letter\" data-el=\"text\" class=\"wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overrideStyles font-copy\" dir=\"null\">It is perhaps more accurate to say that the two men put each other on the couch, ultimately trying to peer inside each other\u2019s crania, poking and probing without really provoking any actual insight, in a film that looks as drab and gray as it sounds. \u201cI consider what people tell me less fascinating than what they choose not to tell me,\u201d Sigmund says, as one might expect him to.<\/p>\n<\/div>\n<div class=\"wpds-c-PJLV article-body\" data-qa=\"article-body\">\n<p data-testid=\"drop-cap-letter\" data-el=\"text\" class=\"wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overrideStyles font-copy\" dir=\"null\">In the end, the dueling protagonists of \u201cFreud\u2019s Last Session\u201d arrive at something of a stalemate. \u201cOne of us is the fool,\u201d Sigmund says, of the questions that lie at the heart of the film: Does God exist? And if so, why could such a creator allow evil? Is the latter proof or negation of the former?<\/p>\n<\/div>\n<div class=\"wpds-c-PJLV article-body\" data-qa=\"article-body\">\n<p data-testid=\"drop-cap-letter\" data-el=\"text\" class=\"wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overrideStyles font-copy\" dir=\"null\">\u201cIf you\u2019re right, you won\u2019t be able to tell me so,\u201d Sigmund continues, presumably referring to the finality of death. \u201cAnd if I\u2019m right, no one will ever know.\u201d<\/p>\n<\/div>\n<div class=\"wpds-c-PJLV article-body\" data-qa=\"article-body\">\n<p data-testid=\"drop-cap-letter\" data-el=\"text\" class=\"wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overrideStyles font-copy\" dir=\"null\">That, at least, is one sure thing, in a film whose intriguing ideas are made stale and unsatisfying by their dull and dutiful delivery. \u201cFreud\u2019s Last Session\u201d ends with Sigmund restocked with painkillers, and Jack on the train back to Oxford, his head still free of (or perhaps fuller than ever with) doubts. Who knows whether either man \u2014 or the viewer \u2014 has been changed?<\/p>\n<\/div>\n<div class=\"wpds-c-PJLV article-body\" data-qa=\"article-body\">\n<p data-testid=\"drop-cap-letter\" data-el=\"text\" class=\"wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overrideStyles font-copy\" dir=\"null\">The final shot is a nice and artful one, in a film that lacks more of them. The camera lingers on the dark tracks ahead, only a few feet of which can be seen, illuminated by the headlight of the engine. It hurtles on into the night, heedless of what is not, and cannot be, known.<\/p>\n<\/div>\n<div class=\"wpds-c-PJLV article-body\" data-qa=\"article-body\">\n<p data-testid=\"drop-cap-letter\" data-el=\"text\" class=\"wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overrideStyles font-copy\" dir=\"null\"><b>PG-13.<\/b> At area theaters. Contains mature thematic material, some bloody, violent images, sexuality and smoking. 108 minutes.<\/p>\n<\/div>\n<div class=\"wpds-c-jkoBlc wpds-c-jkoBlc-leHWbT-removeAllStyles-true\">\n<div class=\"wpds-c-gMxubY\">\n<div class=\"wpds-c-jKpMgH hide-for-print\" data-testid=\"collections-main\">\n<div class=\"wpds-c-eZQlgr\">\n<div class=\"PJLV\"><label class=\"wpds-c-bMdHQm wpds-c-bMdHQm-jPiQqD-size-md wpds-c-bMdHQm-iKthye-css\"><\/p>\n<p>More Style stories on movies<\/p>\n<p><\/label><\/div>\n<\/div>\n<p><button class=\"wpds-c-kSOqLF wpds-c-kSOqLF-SQjOY-variant-secondary wpds-c-kSOqLF-eHdizY-density-default wpds-c-kSOqLF-hGNJMA-icon-center wpds-c-kSOqLF-qcJLL-cv wpds-c-kSOqLF-ieqAhsM-css\">View 3 more stories<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"0 0 16 16\" fill=\"currentColor\" aria-hidden=\"true\" focusable=\"false\" role=\"img\" class=\"wpds-c-dJBvpf wpds-c-gmtmov\"><path d=\"m3.38 6 .71-.71L8 9.25l3.91-3.92.71.71L8 10.67Z\"\/><\/svg><\/button><\/div>\n<\/div>\n<section class=\"PJLV PJLV-icCmARE-css dn-ns hide-for-print\" data-testid=\"mostRead\" subscriptions-section=\"content\"\/><\/div>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.washingtonpost.com\/entertainment\/movies\/2024\/01\/02\/freuds-last-session-movie-review\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Comment on this storyComment Add to your saved stories Save StarSolidStarSolidStarOutlineStarOutline(2 stars) The title character we meet at the beginning of \u201cFreud\u2019s Last Session\u201d \u2014 a talky, speculative drama that imagines a meeting between avowed atheist Sigmund Freud, who invented psychoanalysis, and the Christian apologist writer C.S. Lewis, author of \u201cThe Chronicles of Narnia\u201d \u2014&#8230;<\/p>\n<p class=\"more-link-wrap\"><a href=\"https:\/\/ventil.rs\/blog\/entertainment\/review-freuds-last-session-our-time-is-almost-up\/\" class=\"more-link\">Read More<span class=\"screen-reader-text\"> &ldquo;Review | \u2018Freud\u2019s Last Session\u2019: Our time is almost up&rdquo;<\/span> &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":1075,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/www.washingtonpost.com\/wp-apps\/imrs.php?src=https:\/\/arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com\/public\/AXOB5ZVGQ4I65ELN7ZLDX7CO3E_size-normalized.jpg&w=1440","fifu_image_alt":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-1074","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v17.8 (Yoast SEO v22.1) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Review | \u2018Freud\u2019s Last Session\u2019: Our time is almost up - Breaking News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ventil.rs\/blog\/entertainment\/review-freuds-last-session-our-time-is-almost-up\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review | \u2018Freud\u2019s Last Session\u2019: Our time is almost up\" \/>\n<meta property=\"og:description\" content=\"Comment on this storyComment Add to your saved stories Save StarSolidStarSolidStarOutlineStarOutline(2 stars) The title character we meet at the beginning of \u201cFreud\u2019s Last Session\u201d \u2014 a talky, speculative drama that imagines a meeting between avowed atheist Sigmund Freud, who invented psychoanalysis, and the Christian apologist writer C.S. 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