{"id":680,"date":"2023-10-20T20:26:16","date_gmt":"2023-10-20T20:26:16","guid":{"rendered":"https:\/\/ventil.rs\/blog\/entertainment\/review-the-best-movies-of-2023-so-far\/"},"modified":"2023-10-20T20:26:16","modified_gmt":"2023-10-20T20:26:16","slug":"review-the-best-movies-of-2023-so-far","status":"publish","type":"post","link":"https:\/\/ventil.rs\/blog\/entertainment\/review-the-best-movies-of-2023-so-far\/","title":{"rendered":"Review | The best movies of 2023 so far"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div data-qa=\"article-body\">\n<p data-testid=\"drop-cap-letter\" data-el=\"text\" class=\"wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overrideStyles font-copy\" dir=\"null\">Michelle Williams plays Lizzy, a ceramic artist stressed out by the impending opening of her solo exhibition, and Hong Chau (\u201c<a href=\"https:\/\/www.washingtonpost.com\/movies\/2022\/12\/20\/the-whale-movie-review\/?itid=lk_inline_manual_187\" target=\"_blank\" rel=\"noopener\">The Whale<\/a>\u201d) is her blithely oblivious neighbor, fellow artist and landlord in this sharply observant <a href=\"https:\/\/www.washingtonpost.com\/movies\/2023\/04\/12\/showing-up-movie-review\/?itid=lk_inline_manual_187\" target=\"_blank\" rel=\"noopener\">art-world comedy-drama<\/a> from the slow-cinema virtuosa Kelly Reichardt. Michael O\u2019Sullivan says: \u201cThere\u2019s a lot of talk about nothing. But it\u2019s in between the small talk \u2014 Lizzy bickering with her family at the opening about whether there\u2019s too much cubed cheese, or not enough \u2014 that Reichardt\u2019s film speaks loudest. What is it saying? That the best art isn\u2019t a religion, or magic, or maybe isn\u2019t even genius. That, instead, it\u2019s hard work.\u201d <i>(R, 108 minutes)<\/i><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.washingtonpost.com\/movies\/2023\/best-movies-2023\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Michelle Williams plays Lizzy, a ceramic artist stressed out by the impending opening of her solo exhibition, and Hong Chau (\u201cThe Whale\u201d) is her blithely oblivious neighbor, fellow artist and landlord in this sharply observant art-world comedy-drama from the slow-cinema virtuosa Kelly Reichardt. Michael O\u2019Sullivan says: \u201cThere\u2019s a lot of talk about nothing. But it\u2019s&#8230;<\/p>\n<p class=\"more-link-wrap\"><a href=\"https:\/\/ventil.rs\/blog\/entertainment\/review-the-best-movies-of-2023-so-far\/\" class=\"more-link\">Read More<span class=\"screen-reader-text\"> &ldquo;Review | The best movies of 2023 so far&rdquo;<\/span> &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":681,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/www.washingtonpost.com\/wp-apps\/imrs.php?src=https:\/\/arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com\/public\/L3SCBGDIPYI65EE3GRMU5FMXGY_size-normalized.jpg&w=1440","fifu_image_alt":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-680","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v17.8 (Yoast SEO v22.1) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Review | The best movies of 2023 so far - Breaking News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ventil.rs\/blog\/entertainment\/review-the-best-movies-of-2023-so-far\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review | The best movies of 2023 so far\" \/>\n<meta property=\"og:description\" content=\"Michelle Williams plays Lizzy, a ceramic artist stressed out by the impending opening of her solo exhibition, and Hong Chau (\u201cThe Whale\u201d) is her blithely oblivious neighbor, fellow artist and landlord in this sharply observant art-world comedy-drama from the slow-cinema virtuosa Kelly Reichardt. 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